Everyone likes a good party and we at the Writers' Group are no different. Well, actually we are. We're writers, we're not into swinging bashes and binge drinking -- with apologies to Dorothy Parker and William Faulkner. Our idea of a good time is a little more sedate: parrying over the relevance of the semicolon; flexible intelligence when it comes to the pros and cons of first and third points-of-view; and, oh heady times, the best first lines in literature.
And what better venue to discuss these matters than at literary events. Tell us about your favorite experience at a conference and, by all means, tell us the worst. Which authors give the best readings and who is a total snore. Tell us what events you'll be attending in the coming weeks and which ones you wish you could attend. And if you feel like it, let everyone know how you feel about that irascible semicolon.
Lisa MarnellI will NEVER forget the day I interviewed Gregory Maguire at the 2007 Muse and the Marketplace.
The Gregory Maguire of Wicked fame. He is easily the most intelligent and articulate person I have crossed paths with. At the end of our interview - he's so kind and generous - Gregory asked me about my projects and encouraged me. Ironically, we share the same literary agent (if I can finally get my final manuscripts completed), and he said this kind and experienced agent has been nothing but wonderful.
At times, memories of that hour I spent with Gregory Maguire comforts me. Sigh!
Amy MacKinnonHands down the best conference I ever attended was Grub Street's 2006 Muse and the Marketplace when after critiquing twenty pages of my WIP Asya Muchnick, Little, Brown editor of
The Lovely Bones and
The Dogs of Babel, asked that I submit to her when I finished writing it. I will always adore her for that. The worst? There was this event where the room was stifling, the drinks ran out far too soon, and a best selling author I'd met on numerous occassions claimed never to have met me at all -- in front of a rather large group of authors I admired. Worse, when we each mentioned a favorite book or author, and I mentioned Stephen King, she said, "I only read him in the
New Yorker." Hmmm...
More recently, I was welcomed with open arms by the Duxbury Free Library and
Westwinds Bookshop last Sunday. The library director Carol Jankowski said they had reservations for 60 and strange but true, my high school English teacher Roberta Erickson, whom I thanked in the acknowledgments of
Tethered, was there as a bookseller for Westwinds! It was a lovely reunion. Thanks to all who attended; I was impressed and honored with your questions.
Lastly the event I'm most looking forward to attending with Hannah by my side is Grub Street's annual fundraiser
Taste of Grub. It's sure to be huge and I really, really want to see you there! Will you come?
Hannah Roveto
One of the best was listening to Lisa Scottoline present at
Grub Street's Muse and the Marketplace this year. Holy cow. The talk was something like "Everything Lisa Scottoline Knows About Getting Published" and indeed, she covered getting started to elements of a novel to getting published in an hour and a half, including offering up her agent to us. A different, um, memorable one was a conference where a tall male writer decided to stand out from the crowd wearing bike shorts. No matter his talent, the crowd was divided into two groups: those who dared look down and those who memorized his face.
Lynne GriffinMy favorite conference was also the 2007 Muse and the Marketplace conference. My manuscript pages were reviewed by Elinor Lipman's and Michael Lowenthal's editor at Houghton Mifflin, and she requested my full. I sailed off to the luncheon, plunked myself down in an empty seat, only after situated did I realize that I was sitting at keynote speaker
Charles Baxter's table!
His talk about taking this business one step at a time is one I will never forget.
My horrific workshop experience came just last year when I went to a noted author's talk. When someone in the audience mentioned that my novel was going to be published, she asked me to describe it. I gave my best two sentence pitch, and her response? "Oh, dear. I only write happy books." To which I was left to use a line from Carolyn See's Making a Literary Life. "No kidding."